Fauna

Identify a Photo

Photograph any animal, plant, or fungus and Fauna names what you found. Then choose what belongs in your field journal.

Checking your Fauna account
Better input, better ID

Tips for better identification

Choose one subject

Centre a single animal, plant or fungus so it is clear what to identify.

Fill the frame

Get closer than feels necessary — close enough to show its shape, markings and detail.

Use clear lighting

Keep the subject sharp and evenly lit. A steady wide shot beats a blurry zoomed one.

Give wildlife space

Photograph from a respectful distance. Never chase, corner, touch or disturb an animal.

Which extra shot helps?

Choose a subject to see the angles and details that help most. Use these examples to choose your clearest photo.

FungusBig difference

The biggest difference a second photo makes. A cap seen from above could be dozens of unrelated species.

  1. The underside of the cap

    Gills, pores, teeth or wrinkles set the family before any species call is possible. This is the single most useful photo you can add.

  2. The stem, all the way to the ground

    The ring and the cup-shaped base are what separate a deadly mushroom from an edible lookalike — and the base is usually buried.

    Gently lift one and brush the soil off. Leave the rest where they are, and check local rules — many parks don't allow collecting.

  3. Where it's growing — wood, soil or leaves

    Growing on wood, in soil or out of leaf litter is a hard constraint on what it can be.

PlantBig difference

The whole-plant shot people instinctively take is usually the least useful one.

  1. A single leaf, and where it meets the stem

    Leaf shape, plus how the leaf attaches to the stem, is the main character when there are no flowers.

    Look, don't touch — some plants irritate or burn the skin.

  2. Any flowers, fruit or seed heads

    Reproductive parts are the most decisive structures. Flowers or fruit together with leaves is the most useful combination there is.

  3. The whole plant, showing how it grows

    Habit, height and branching separate lookalike relatives and give a sense of scale.

InsectBig difference

Most of what tells one insect from another sits on the side you cannot see.

  1. The same insect from the side

    A side-on view shows body structure and leg proportions that a top-down shot flattens away.

  2. A close look at the head and antennae

    Antenna shape and eye position narrow it down to a family. Colour varies too much within one species to go on.

    Zoom rather than lean in. Some caterpillars sting.

  3. The wings open, if it opens them

    For butterflies and moths the upper and under wing surfaces are often completely different, and only one is showing at a time.

    Wait for it to open them on its own.

ArachnidBig difference

Markings are a poor guide with spiders. It is usually the eyes that settle it, and they rarely show in the first photo.

  1. The face straight on, showing the eyes

    Eye number and arrangement is how spider families are keyed. Colour and pattern overlap heavily across unrelated species.

    Use zoom. Don't put your face near a spider you can't identify.

  2. The top of the body and legs, up close

    Carapace pattern, leg banding and body proportions.

  3. The underside, if it's hanging in its web

    The hourglass marking sits on the belly, and widows rest upside down — so it's often already facing you.

    Only if it's already showing. Never turn a spider over.

FlowerHelps

The parts behind the bloom carry the identification, and the overhead shot hides all of them.

  1. The flower from the side, not from above

    The sepals and bracts sitting behind the flower are diagnostic, and an overhead shot hides them completely.

  2. The leaves, and how they sit on the stem

    A flower on its own rarely separates species within a genus. The foliage does.

    Look, don't touch — and don't pick. Many species are protected.

  3. The centre of the flower, up close

    The arrangement at the centre separates close relatives, especially in daisy-like flowers.

ReptileHelps

The head carries most of what a photo can tell you, and zoom will get you there from a safe distance.

  1. The top of the head, up close

    The arrangement of scale plates on the head is the primary character for snakes and lizards.

    Zoom from where you are. Don't close the distance.

  2. The pattern down its back, from above

    Dorsal pattern and whether the scales are keeled or smooth.

    From a safe distance, and never step around the animal to get the angle.

AmphibianHelps

Everything useful here is visible from above. Nothing requires picking the animal up.

  1. The back and sides, from directly above

    Whether it has ridges running down its back is a genus-level split, and it only reads from a true overhead angle.

  2. A close look at the feet and toes

    How much webbing there is between the toes, and the shape of the toe tips.

  3. The head from the side

    Eye stripe, and the size of the eardrum relative to the eye.

InvertebrateHelps

Shells and sea slugs look like different animals from above and below, so one photo tells half the story.

  1. The opening or underside of the shell, if you can see it

    For snails and shells the shape of the opening is one of the two most useful features.

    Only if it's already visible.

  2. A close look at the head end

    Tentacles, gills and eyestalks are the primary characters for sea slugs and many others.

  3. The whole animal next to something for scale

    This is the group where absolute size is genuinely diagnostic and genuinely hard to judge on featureless sand or rock.

FishNice to have

The usual side-on shot is already the right angle. What normally goes wrong is glare, water or a half-hidden fish.

  1. The whole fish from the side, fins spread

    The whole body in profile with the fins open shows nearly everything an identification needs.

  2. A close look at the head and mouth

    Mouth position and jaw length separate lookalike pairs better than colour does.

MammalNice to have

For most mammals a second photo won't change the answer — but it will make a better journal entry.

  1. A clear look at the head and ears

    Muzzle shape, ear size and face markings carry most of what a photo can give. Body outline alone is ambiguous.

    Use zoom. Never close the distance on a wild mammal.

  2. The tail — its length, shape and colour

    Tail length relative to the body is a standard character, and it's often cropped out of the first shot.

  3. Anything it left behind — tracks, scat, a burrow

    For shy or night-active mammals this is often the only usable evidence, and it's the one extra shot you can reliably get.

BirdNice to have

For a distinctive bird the first photo already has everything. The shots that would help can't be summoned.

  1. A close look at the beak, legs and feet

    Bill shape and proportion, plus leg colour, are what separate the genuinely difficult groups.

  2. The back and folded wing from the side

    Wing bars and feather edges.

  3. The wings and tail spread — only if it flies off on its own

    The underwing and tail pattern are the most diagnostic features in hard groups, and visible only from below in flight.

    Only if it leaves on its own. Never flush a bird to photograph it.

Look closer

Not sure what you are looking at?

Build confidence in what you find outdoors. Learn to separate lookalikes, read tracks and seasonal clues, and observe wildlife safely.

Browse the field guides